Hailing from Sheffield, this two-piece have variously been described usually with a 'folk' tag and I won't quibble with that although their 2014 album 'Complete Surrender' has flashes of pop interwined with the acoustic folkiness, I suspect from the influence of Guillemot's Fyfe Dangerfield (love that name!). This particular track actually reminds me of Montreal post-rock collective Esmerine's 'Snow Day For Lhasa'.
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