07 June 2011

just say 'no' kids

Don't ask me how or why but I've just watched the video to the new Nicola Roberts single 'Beat of My Drum'. I'm very evangelical about music and, hand on heart, I don't try to get precious about it.  I love a great 3 minute pop song as much as the next man but this particular tune is a complete mess. 


Taking the song first, it's produced by Diplo so should, by rights be a really catchy, up-to-the-minute dance track. It starts off well with a great hook and it's always nice to hear an English singer sing with an English accent but as if to warn us of the impending horrors of the chorus there is a refrain that sounds like the middle of a nondescript track from her Girls Aloud days that ruins the whole thing in an instant. Not content with trashing what could have been a cool tune the chorus hits you in the face like a wet and smelly flannel. It's meant to be a 'shouty' cheerleader chorus that the likes of the Go! Team do so well but it just doesn't work at all. The keyboard playing over the girly shouting has surely been lifted from a CBBC programme from the 90s and the cherry on the icing of this particular cake is the drum machine paradiddle followed by a classic hip-hop "Yeah Yeah". Repeat this formula until sick. 

Oh, and did I mention the bit 2/3rds of the way in where Diplo's just shamelessly lifted about 5 seconds from one of his own Major Lazer  tunes? For goodness sake, was that necessary?

...and then there's the video. Why is she wearing her Grandad's underpants? Can Nicole look any more awkward trying to dance with hip urban types? Too many questions, too little time in my life. Apparently the album is supposed to be pretty good but on the basis of the first single from it, I'm not holding out a lot of hope. 



06 June 2011

some friendly

...it's not just the title of the Charlatans first album but a rather more appropriate title for this beautiful mix by another Romanian, Iar, with an ear for fine minimal/deep house.

Enjoy!

the revolution will not be televised

Someone's posted the 1996 Don Letts documentary about the late Gil Scott-Heron onto Youtube. The quality is superb and we all know how good the music was. It's a great tribute to a troubled genius and it's clear from the contributors what a mark this man left on the musical landscape.

It's in 3 parts:




05 June 2011

you can't ever really know what's going on

Apparently researchers at Toronto University have broken Heisenberg's Uncertainty Principle; one of the most well-known rules of quantum physics - that you can't measure exactly both velocity and position at the same time: http://www.bbc.co.uk/news/science-environment-13626587

Why am I mentioning this on a music blog? Well, apart from a lingering interest in physics from my university days it also reminded me of a couple of lovely chillout tunes inspired by the theory and it seems perfect for a gloomy Sunday.

Télépopmusik - L'Incertitude D'Heisenberg


Snehal Thomas Jacob - Heisenberg

anika

I'm terribly hungover today and I've been browsing the internet for music videos where I have found this great interview with Anika. It seems a great time, then, to do my review of her debut album which is something I've been wanting to do for some time now.


A bit of background first to this unique singer. She is primarily a political journalist hailing from Germany and spends her time between Berlin and Bristol. I say primarily as she seems now to be focussing on her music career. She was introduced to Beak>, Geoff Barrow of Portishead's new(ish) band, who were looking for a quirky singer. The result was the eponymously titled debut album from Anika and the most original album of 2010. It didn't hit many 'best album of 2010' lists as it came out too late but I have it in my top 3 from last year. The album was recorded in about 11 days and it shows. This is a good thing in my eyes as the whole feel of the album has a deliberate roughness to it. It's a mixture of overtly political songs, covers of girl band classics, heavy dub, so-so drumming and the most amazing singing you'll hear around today.


Anika doesn't have a classic beautiful singing voice, instead opting for the Nico-esque talk/sing in a really heavy German accent. After hearing this interview it's clear the accent is affected but once again this works to the album's favour. I hope I'm not doing her a disservice but the intensity of her political views, the aggression, the accent and her looks remind me a lot of those black and white photos of Gudrun Ensslin, one of the leaders of the Baader-Meinhof group. 


The music is difficult to place in time because a lot of the tunes are now at least 30 years old and the styles borrowed - punk, pop, wall of sound and dub interchange so frequently and the format of the album is very traditional - 9 songs, most of around 3 to 4 minutes and coming in at about 40 minutes in total. When I first heard this album I listened to it, I think, about 5 times straight as I was that in awe of it. I have a few criticisms with it, firstly the drumming on the album is a bit too wonky at times and secondly, where they've been at their most political in 'Masters of War' it feels a bit weak to me. They've sampled an interview with a US Marine who fought in Iraq in much the same way as Paul Hardcastle's '19' Vietnam samples but to be honest, the quote used has far too much hand-wringing. I wonder if it would have worked better if they'd have gone for some gung-ho, yankee doodle, alpha male bollocks quote from George W Bush in an ironic way. Don't let these comments detract from what is an incredible album though.

Here's the interview in full:

03 June 2011

down with minimal

Not my words, those of Matias Aguayo. Well..."People don't dance papa don't dance cause that music got no groove, got no balls, no me hace pumpin pumpin' pumpin'(doesent make me fee like pumpin') por que yo quiero bailar (cause i want to dance) con un ritmo mas nocturno (with a rythm that's more nocturne) mas profundo (more deep) mas sensual (more sensual) basta ya de minimal!"...to be precise.

I disagree but it's a fantastic song anyway and perfect for a sunny day. Have a great Friday.

02 June 2011

planningtorock

Those pesky Swedes have done it again. I succumbed to Fever Ray's album, I adored JJ's album, Air France's album has been worn thin with the number of times I've played it, Little Dragon's albums are a constant delight and now I've fallen head over heels in love with PlanningToRock's new album 'W'.


I have described it (alliteratively) as a mad, mean and moody power rock album to a dance beat. It's like no other album I've heard since perhaps Zola Jesus or more definitely Fever Ray's album last year.  The connection is deliberate and perhaps not surprising. Fever Ray is of course a part of Swedish rock/dance/indie band 'The Knife' and PlanningToRock has also been involved with the band. I have heard different reports of the level of involvement so until I know for sure I'll leave it that Janine Rostron (aka PTR) is a collaborator.

The album works really well with the very careful playlist order building the set towards a magnificent finish. The 1980s is well represented here with shades of all the best bits of a Steinman song with a bit of Gothic drumming and a voice that sounds (to me) like a pre-menstrual and absolutely livid Joan Armatrading. It's nothing like Armatrading would sing but there's something about the voice...I can't quite describe it, sorry!


To add to the pomp of the album there is Rock Opera aplenty here too and when added together it leaves me feeling that I really want (no - make that 'need') to see this performed live. This is the kind of sound that Lykke Li is moving towards with her last album too. It's definitely a 'girl' thing. More power to their elbows (and spare ribs). Lyrically, there is a lot that is eminently quotable for instance "Don’t be surprised, I’m ripping out my eyes… We break too easily" which sounds like some sort of line from a Robert E Howard novel. (edit - I've been re-reading this and other reviews and notice that the review on the BBC website also picks up on this couplet. Their review is also better than mine - damn them!).

In fact the only criticism I have is that the sleeve notes are unreadable being a blue font on a black background. I can't recommend this album enough, it really is the bee's knees and deserves a place in your record collection now. The stand out track for me is 'Milky Blau'. Really, it doesn't get better than this.



01 June 2011

for barri and emma

I'm dedicating this video to two of my best chums who get married on Saturday. Barri and I must have sung along to this a hundred times. All my love, you two.

30 May 2011

baltic exchange

I've got some more Baltic inspired music to share with you. The first two are Lithuanian, downtempo dance pieces both featuring Jazzu whilst the third is a Latvian tune with an amazing video to match the tune.


Mario Basanov & Vidis feat. Jazzu - I'll Be Gone


Leon Somov and Jazzu -Tik Pasilik


Instrumenti - Kvik Myndir


29 May 2011

bank holiday mix

I've put together a bank holiday mix for you. I've tried to keep it fairly low-key and apologies for the bad mixing. I'm still a novice at all this.




Tracklist:

Michael Strauss - "Good Morning Ibiza (Original)"
Schlepp Geist - "Stupid Guy (Original)"
Feygin - "Budva (Slum Dop Remix)"
Asem Shama - "Loewenherz(Original Mix)"
Lars Wickinger - "Darth Vader (Ron Ractive Remix)"
Khan feat Julee Cruise - "Say Goodbye (Losoul Mix)"
Omurah - "Paranormal Symphony"
Mickael Davis Aka Dolby D - "Beat Beat Bad"
Pierre Deutschmann - "Quantum Leap Original"
Breger - "Nachtmaschine"
Mnmlistique - "Iron (Original Mix)"
Artem Scrip - "Virus Detected (Original Mix)"
Addme Collective - "Magma (Original Mix)"
Marco Carola - "Groove Catcher"
Martin Dawson - "What the Fuck"
Moenster - "Babe"
Adam Port & Ruede Hagelstein - "Corrosive Love (Original Mix)"

for ieva

The coolest Lithuanian girl I know told me about this tune. 


28 May 2011

the f of the s is more d than the m

I feel inspired to post some tracks from women who had/have real passion.

Mina Mazzini - Se Telefonando


Anika - Terry



Kirsty MacColl - Don't Come the Cowboy With Me, Sonny Jim (the quality is poor but it's a live version of my favourite KM song and I adore her).

 

Marianne Faithfull - As Tears Go By

Tiny Vipers - Dreamer


in the mix

I came across this minimal/tech house set on MinimalFreaks blog the other day. Mixed by Romanian, DJ Asky, it's very trippy and oozes class. I hope you like it as much as I did.

gil scott-heron 1949-2011

I was saddened this morning to wake up to the news that Scott-Heron has died. I'm not surprised but it doesn't make the passing any less upsetting. The highlight of Bestival last year was seeing this great man play. Thanks for the music. 

This is from his 'I'm New Here' released last year.


...and this is of course 'Winter in America'

27 May 2011

tokimonsta

I'm predicting very big things for TOKiMONSTA which is the nom de plume for Jennifer Lee, an LA-based DJ/musician of Korean extraction. She's just released her new mini-album recently and it's an experimental dance album that is extremely listenable. It has an old skool trip-hop feel to the drum patterns whilst the keyboards sound very modern.

Apparently she's been around for a bit now but this album is the first I've heard of her and I'm very impressed. It's quite a short affair being only 6 or 7 tracks in total leaving me hungry for more of her work and fortunately there's a few previous EPs that I can hunt down. It's not a floorstomper, rather a delicate and subtle blend but is all the better for it.

  
She also has acoustic guitars and traditional band instruments aplenty making this a really great crossover album. I've only hearda few tracks on Soundcloud at the moment so am looking forward to listening to this in full. Released on London-based Ramp Records, it's in the shops now. I think she's also in the UK at the moment. I saw a flyer in Brighton advertising her name. I'll investigate further.


Did I mention that she is incredibly cute?

26 May 2011

it's a monster

You know every once in a while a tune comes along and just blows you away? This is it. An absolute killer tune. Ouch!

MMM - Dex

city of angels

Here are a couple of bands at the experimental end of the electronic pop scene, Tearist and Rainbow Arabia. Both bands are from LA and both are very very good. The Tearist tune is newly released with accompanying video by Elizabeth Skadden. The Rainbow Arabia track has been out a couple of months, is on the Kompakt label and is an incredible record. I fell in love with it from the first listen.

Tearist - 'Disposition'


Rainbow Arabia - 'Without You'

cloud control

When I first heard that Cloud Control had won the 2010 Australian equivalent of the Mercury Prize I did what a lot of reviewers did and immediately wished them a lot more luck than the British winners of that cursed award. It can't have been any mean feat to win either as they were up against Tame Impala. Their album 'Bliss Release' was released this week in the UK and I've listened to it a few times now and I can state that it's a grower.


Firstly, a little primer about the band: they hail from the Blue Mountains overlooking Sydney and have been around for about 3 years. They have had a lot of success in that time winning radio band contests and also the chance to open for Supergrass on an Aussie tour. They've also recently supported the Foo Fighters in Queensland and are planning to tour the UK very soon.


Now onto the music: At first the sound falls into that Fleet Foxes folky kind of feeling but Cloud Control mix in psychedelia and Vampire Weekend-like African drums to make this an album that is difficult to pin down as one thing or the other. The vocals are shared by the male lead, Alister Wright, who soars like a modern day Tim Booth and a very girlie female lead, Heidi Lenffer. They rely heavily on harmonies in much the same way as Stornoway do but with the instruments having more presence throughout the album.


Meditation Song #2 (Why Oh Why) sounds like a cover of a Fairport song but then they switch again to the close harmonies and then Gold Canary, their critically acclaimed single from the album could be a Fleet Foxes or Stornoway song. 'This is What I Say' is a lovely African-twangy guitar (you know what I mean - Gracelands, Bhundu Boys - that sort of sound!).


Overall, I think it's a very well-balanced album with enough there to make the listener hit the replay button. I'd give it 7 out of 10.

25 May 2011

rub a dub dub

It seems like it's been ages since I listened to a bit of dub reggae so tonight it's been on in the background as we ate and chatted about things. This seems like an excellent cue for playing some new(ish) and some obscure dub.

Brand new from I Am Damian - 'Accordion Underdub'


The Dub Machinist - 'Kikkoman'


Dubkasm - 'Ital Dub'


The Hempolics - 'Serious Dub'


Melaaz - 'Non Non Non' (A french re-working of Dawn Penn's classic)


Are we allowed to put on an old classic? If it's okay with you we'll have Horace Andy with 'Ital Ites Dubwise'


it's all for charity

Bonnie 'Prince' Billy (aka Will Oldham) is releasing a charity single "There Is No God" with all of the proceeds going to "Save Our Gulf" a charity set up to rescue and care for wildlife affected by the BP oil disaster. Playing with Oldham are Emmett Kelly, Ben Hall, Pete Cummings, Peter Townsend, Billy Contreras, Cassie Berman and Rachel Korine. The single will be released on 21 June.




More information here. The song is quite silly, he's quite lovely and it's all for a great cause.